A lot of the Arthurian films and TV shows I’ve watched while writing these blog posts are basically war stories, full of pitched battles, duels to the death, and the clash of sword on armour. But a lot of the Arthurian literature that inspired them isn’t like that at all. One of the reasons for Arthur’s enduring popularity is that his kingdom was an ideal realm of peace and justice, and even when violence does have to be meted out to some wicked knight it’s usually in the rather codified form of a joust: when he loses, he’s just packed off by the victor to Camelot to pay homage to Arthur or to Guinevere. What a lot of the stories are more interested in is LOVE. Sir Lanval, which this film describes as ‘an Arthurian fairytale’ was written by Marie de France in the late 12th Century for the court of Henry II of England and his French queen, Eleanor of Aquitaine. It’s a good story, and I’m surprised it’s not better known. This 70-minute adaptation, rather delightfully for me, is a lo...
Reviews and ruminations by Philip Reeve, author of the Mortal Engines series, the Railhead trilogy, Here Lies Arthur, Goblins, and The Legend of Kevin, Pugs of the Frozen North, etc, with Sarah McIntyre.