Here's an interview I did with writer Robin CM Duncan recently for the website Gingernuts of Horror , marking the launch of new Mortal Engines adventure Bridge of Storms . I'm always a bit surprised to think of myself as a horror writer, or even a horror-adjacent one: it's a genre I've always avoided, mainly because I don't like being scared.* But I guess there's a grey area between sci-fi/fantasy and horror, and into that grey area a lot of my stuff falls – Utterly Dark was very gothic, Shrike and his fellow Stalkers and Revenants in the Mortal Engines books are pretty gruesome, and the climax of the new book gets very grand guignol, as Tamzin comes up against the logical end-point of the idea of Stalkers (a notion I toyed with back in the original quartet, but never found a place for until now). Anyway, Robin does a good interview, so please have a listen. And here's a link to Robin's website, with details about his own books. Thanks for havin...
Prairie Rascals poster by Sarah McIntyre This post contains some minor SPOILERS about Prairie Rascals , so you may want to watch the film first. You can find it here. WAGONS ROLL When Sarah Reeve and I started making our little films here at Bonehill, it wasn't because I was eager to get into screenwriting. I'm much more interested in the other bits of film making, like finding costumes and locations, working with the actors, and editing. But before you can get to those parts of the process you do need a screenplay, and since I'm the cheapest writer available, I write those myself. Writing a screenplay - at least for the sort of micro-budget productions we're making - is not like writing a book. With a novel the problem is that there a thousand different paths the story could take. With a screenplay, 998 of those paths are blocked by large signs that say YOU CAN'T AFFORD THIS, so in a way it becomes much easier: your choices are made for you. * When I set out to wr...