In one of the later episodes of Halt and Catch Fire there is a scene where computer engineer Gordon has a huge row with his teenage daughter in his office. As she storms out, he angrily slams the door behind her. It is a plate glass door, and we brace ourselves for it to shatter into a million pieces, symbolising his impotent rage. But it’s a plate glass door in the trendy offices of a Californian internet company in the 1990s, and it turns out to be un-slammable. So it just gently closes with a quiet little hydraulic sigh, leaving Gordon looking a bit foolish, and us delighted by the writers’ ability to constantly take things in directions we weren’t quite expecting. With the possible exception of The Wire , I think Halt and Catch Fire is the best modern TV drama I’ve watched. Created by Christopher Cantwell and Christopher C. Rogers, at first glance it looks a bit like a Madmen knock off (which is quite possibly what it was intended as). It starts in...
Reviews and ruminations by Philip Reeve, author of the Mortal Engines series, the Railhead trilogy, Here Lies Arthur, Goblins, and The Legend of Kevin, Pugs of the Frozen North, etc, with Sarah McIntyre.