This was probably the first King Arthur movie I ever saw. It’s the sort of thing that used to turn up on TV pretty regularly in the 1970s, and I think I have vague memories of watching but not really following it - though it’s so much of it’s time, and looks so like the illustrations in children’s history books or Look and Learn magazine that I may be misremembering. I recall it being very obviously shot in California, but in fact it was made in Ireland and England - Modred’s castle, where a climactic duel takes place, is at Hay Tor, a half hour walk from my house. The weather is unusually nice though - almost every outdoor scene takes place in blazing sunshine, under clear blue skies, so there’s none of the misty Celtic twilight that infuses later Arthurian films. This is a version of Arthur which has been stripped of most of its usual magical elements. The sword Excalibur is revealed at the beginning, embedded in an anvil and hidden behind some ivy in front of a back-projection of th...
Reviews and ruminations by Philip Reeve, author of the Mortal Engines series, the Railhead trilogy, Here Lies Arthur, Goblins, and The Legend of Kevin, Pugs of the Frozen North, etc, with Sarah McIntyre.