Last year Sarah Reeve and I embarked on our third film project, Invisible Pictures . I was aiming for something smaller and quieter than Gwenevere or Prairie Rascals , and we wanted to work in black and white for a change. I also fancied adapting someone else's story rather than coming up with my own. I'd always thought Stefan Zweig 's short story The Invisible Collection would make a good film. It's set in Germany in the 1920s (around the time it was written) but I assumed it could be updated and relocated. However, when I reread it, I realised that the runaway inflation of the Weimar era was a load-bearing element for which I could think of no good modern substitute. So we found ourselves with another period piece on our hands. Luckily, our local steam railway, the South Devon Railway , were very helpful and let us film on one of their regular Buckfastleigh-Totnes services, and parts of Totnes served well enough for a German town. (Excellent Totnes booksellers The...
Reviews and ruminations by Philip Reeve, author of the Mortal Engines series, the Railhead trilogy, Here Lies Arthur, Goblins, and The Legend of Kevin, Pugs of the Frozen North, etc, with Sarah McIntyre.