Skip to main content

New Book Announcement: Utterly Dark 2

When I wrote Utterly Dark and the Face of the Deep, I thought it would be a one off, like Mortal Engines and Railhead. But, as with Mortal Engines and Railhead, I had to create a whole world for Utterly to have her adventures in, and I found I didn’t want to abandon it when the book was finished. Wildsea, the island where Utterly lives, is part of a whole archipelago, the Autumn Isles, and it seemed a good idea to send her off to visit one of the other islands. The new one is called Summertide, and where Wildsea is a granitic Cornwall/Dartmoor sort of island, Summertide is all chalk downland and much more Wiltshire/Sussex-y. It’s also big enough that the part where Utterly is staying is out of sight of the sea, and the magic she’ll encounter is land magic rather than sea magic. There are standing stones, chalk hill carvings, burial mounds, a mysterious black stag, and a sinister vicar (which is the best sort of - fictional - vicar). And there’s also a lot more about Utterly’s friends Will and Aish, and especially Egg, who gets a lot more to do in this story.

It’s called Utterly Dark and the Heart of the Wild, and it will be available in UK bookshops in September. It’s published by David Fickling Books, and once again, illustrator Paddy Donnelly has provided a superb cover and some lovely internal illustrations.


Comments

Popular posts from this blog

Lord of the Rings 7: Minas Tirith

'This is not a work which many adults will read through more than once,' claimed the historical novelist Alfred Duggan, reviewing The Lord of the Rings when it was published. But I've read it through LOADS of times and now I'm blogging my latest re-read, so what did he know? And so we come to Minas Tirith, Tower of Guard, citadel of Gondor, seven tiers of fancy white fortifications built against a buttress of Mount Mindolluin, with the Tower of Ecthelion rising a thousand feet above the plain. It seems to me the template on which a whole genre of knock-off fantasy cities has been based - I guess Robert E Howard and people wrote about such places before Tolkien, and perhaps there were cities of equal grandeur on Barsoom, but when concept art threads on Instagram throw up unlikely gold and marble castles built on mountaintops and over waterfalls they always look distinctly Minas Tirithy to me. I'm wondering now if London in Mortal Engines was subconsciously echoin

Thunder City

This September Scholastic will be publishing my new novel set in the world of Mortal Engines . Here’s the cover, created (like all the others in the series) by Ian McQue . The rule I set for myself when I was writing this one was that it shouldn’t feature any of the people or places from previous Mortal Engines books. So  Thunder Cit y takes place just over a century before the original book, when the town-eat-town world of Traction Cities is slightly less ruthless than it will become later, and none of the characters from the original quartet has even been born yet. (I suppose Mr Shrike must be bimbling about somewhere, but he’s still just yer basic implacable killing machine at this point so there’s not much point in paying him a visit). So hopefully this new take will be accessible to people who’ve never read Mortal Engines , and hopefully people who have read it will enjoy an adventure set in the same world. My pen and ink drawing of the Traction City of Thorbury,  after a painti

Railhead A-Z

In order to save my website it became necessary to destroy it. Before I pulled the plug I rescued the longest post on my old blog. Here it is, like the lone survivor of a shipwreck: my A-Z guide to the ideas behind my novel Railhead. At the time it was written, Railhead had just been published. I'll be putting up some posts about the sequels, Black Light Express and Station Zero , in the coming days. Railhead cover art by Ian McQue A  is for Alternative Forms of Transport ‘What I need,’ I thought, when I’d been struggling on and off for a few years with my space epic (working title, ‘Space Epic’) ‘is an alternative to spaceships…’ I’ve always enjoyed space stories. I first started reading science fiction back in 1977, when the original Star Wars film made me realise that outer space could be just as good a backdrop for fantasy as Tolkien-esque worlds of myth and legend. (Actually, I didn’t see Star Wars until 1978, but its bow-wave of publicity hit these shores the p