Skip to main content

Prairie Rascals

 


The time has come to release Prairie Rascals on an unsuspecting world. Bonehill Films' Cream Tea Western has gone down well at a few local screenings, so I've decided to make it free to watch on YouTube, at least for a month or two. If you've had a chance to catch our previous film, Gwenevere, you'll know roughly what to expect - we work at an absurd speed, with a tiny budget which almost all goes on costumes and catering. But I think the story is sound, Sarah Reeve's photography is lovely, and we have some great actors. 

 You can see for yourself on the Bonehill Films YouTube channel.

As with Gwenevere, the story was very much dictated by what we could afford and what locations were available. We've ended up with a tale of a young widow setting out to find some buried treasure before the bandits who did her husband in can get their hands on it. Her adventures eventually intertwine with those of a rich and naive young man from back east who has come to see the natural wonders of America, and gets rather more than he'd bargained for. It's an odd mix of comedy and melodrama, but I think it works. Brian Mitchell (with whom I co-wrote The Ministry of Biscuits and Lord God) did some script-doctoring and suggested a delightfully ambiguous ending - is it happy or not? I still don't know. 

Brian also wrote and recorded the music for the theme song Ballad of the Prairie Rascals which plays over the end credits. The rest of the music is by Nick Riddle, who has done us proud with his beautiful arrangements of various American folk songs. 

As usual, we were hugely dependent on helpful friends and neighbours who crewed for us or let us film in their fields and woods. Marika Keen has assembled a couple of short Behind the Scenes videos which give you a glimpse of the process: happy memories from the summer of 2024.


We've already shot another film, a short, black and white drama called Invisible Pictures. And in the New Year I'll be getting to getting work developing our next big project. 


Labels:

Comments

Post a Comment

Popular posts from this blog

Merlin (1998)

I remember Merlin being shown on TV as a two-part mini-series over a bank holiday weekend. The version I found on YouTube is a single three hour movie, but I think it might work better in two chunks, as originally broadcast. It still works pretty well, though. Director Steve Barron is completely infatuated with video editing tricks and slightly primitive CGI effects that I’m sure were state-of-the-art when it was made, but he uses them quite inventively, and there are some very enjoyable performances. Since First Knight was such a washout, I guess this is the definitive ‘90s Arthurian film. Like Excalibur , the definitive ‘80s Arthurian film, it tries to tell the entirety of the Arthur story, but since it’s main focus is Merlin it covers a lot more too, and Arthur himself ends up being a bit of a side-character, with the rise and fall of Camelot packed into the second half. At first glance, Merlin seems to be aligning itself with what I’m coming to think of as the Low Arthurian tradi...
Post a Comment
Read more

Lord of the Rings 7: Minas Tirith

'This is not a work which many adults will read through more than once,' claimed the historical novelist Alfred Duggan, reviewing The Lord of the Rings when it was published. But I've read it through LOADS of times and now I'm blogging my latest re-read, so what did he know? And so we come to Minas Tirith, Tower of Guard, citadel of Gondor, seven tiers of fancy white fortifications built against a buttress of Mount Mindolluin, with the Tower of Ecthelion rising a thousand feet above the plain. It seems to me the template on which a whole genre of knock-off fantasy cities has been based - I guess Robert E Howard and people wrote about such places before Tolkien, and perhaps there were cities of equal grandeur on Barsoom, but when concept art threads on Instagram throw up unlikely gold and marble castles built on mountaintops and over waterfalls they always look distinctly Minas Tirithy to me. I'm wondering now if London in Mortal Engines was subconsciously echoin...
5 comments
Read more

King Arthur: Legend of the Sword

One of the reasons the Arthurian Legends appeal so much to writers and film makers is that there is no single original version. If there ever was, it was a tale told by some Romano-British storyteller, sitting by a fire in a damp hall, perhaps expounding on the great deeds of a local ruler or late Roman general, and spicing up the action with some motifs borrowed from old Celtic myths. In the centuries that followed, the story grew, and changed. Lots of legends about other heroes got tacked on to it. French and German poets got hold of it and added Camelot, the Grail, and Courtly Love: Malory borrowed from them all in his Morte D’Arthur . Later, everyone from Tennyson to TH White to Rick Wakeman to little me retold the stories, altering them to fit our own vision and reflect our own times. So you can do whatever you like with King Arthur: everyone else has. At least, that’s the theory. Now here's Guy Ritchie’s 2017 box office catastrophe King Arthur, Legend of the Sword to destru...
1 comment
Read more