Skip to main content

Mice on the Ice

 


Today, with a small but impressive drum-roll, and a barely audible fanfare from teeny tiny trumpets, we announce the launch of the THIRD Adventuremice book, Mice on the Ice. This time there’s a festive feel in the air: the sea around the Mouse Islands has frozen over and the mice are all getting excited fro their annual Frost Fair. But when the ship that’s sailed to the mainland to nab some festive goodies gets stuck in the ice, it’s up to the Adventuremice team to save the day.

As usual with Reeve & McIntyre productions, the story was devised by both of us amid much giggling, then I wrote the words (with some help from Sarah), and we did the roughs together. Then Sarah spent MONTHS AND MONTHS drawing and painting the final artwork. I think she’s outdone herself this time - the chilly backgrounds make the interiors feel even cosier, and the colours really zing against the whites and greys of the ice. All the images are original watercolours, and if you’d like to buy one you can - Sarah sells them via the ‘shop’ section of our website, Adventuremice.com, and a lot of them are surprisingly inexpensive. (Adventuremice.com is also the site to visit for free Adventuremice quizzes, drawing guides, games, colouring sheets, etc.)


Sarah has also painted a limited edition bookplate for the fabulous Page 45 comics shop in Nottingham - there are only a hundred of these, and they’re only available if you buy a copy of the book from Page 45 (they ship internationally). But our publishers, David Fickling Books, have produced some sticker sheets for independent bookshops, so if you buy Mice on the Ice from your local indie you might be able to get stickers too. (When Sarah and I took our Adventuremice Roadshow to Bath Children’s Literature Festival last week, one girl in the audience had already got hold of some stickers and applied them liberally to an icy background which she’d drawn herself - an excellent idea!)

I’m really enjoying working on this series, and it’s nice to see them go from strength to strength as we get to know the characters and their world. The fourth book is already in production, and we have more lined up after that. Please support your local Adventuremice! 


Comments

Popular posts from this blog

Lord of the Rings 7: Minas Tirith

'This is not a work which many adults will read through more than once,' claimed the historical novelist Alfred Duggan, reviewing The Lord of the Rings when it was published. But I've read it through LOADS of times and now I'm blogging my latest re-read, so what did he know? And so we come to Minas Tirith, Tower of Guard, citadel of Gondor, seven tiers of fancy white fortifications built against a buttress of Mount Mindolluin, with the Tower of Ecthelion rising a thousand feet above the plain. It seems to me the template on which a whole genre of knock-off fantasy cities has been based - I guess Robert E Howard and people wrote about such places before Tolkien, and perhaps there were cities of equal grandeur on Barsoom, but when concept art threads on Instagram throw up unlikely gold and marble castles built on mountaintops and over waterfalls they always look distinctly Minas Tirithy to me. I'm wondering now if London in Mortal Engines was subconsciously echoin

Railhead A-Z

In order to save my website it became necessary to destroy it. Before I pulled the plug I rescued the longest post on my old blog. Here it is, like the lone survivor of a shipwreck: my A-Z guide to the ideas behind my novel Railhead. At the time it was written, Railhead had just been published. I'll be putting up some posts about the sequels, Black Light Express and Station Zero , in the coming days. Railhead cover art by Ian McQue A  is for Alternative Forms of Transport ‘What I need,’ I thought, when I’d been struggling on and off for a few years with my space epic (working title, ‘Space Epic’) ‘is an alternative to spaceships…’ I’ve always enjoyed space stories. I first started reading science fiction back in 1977, when the original Star Wars film made me realise that outer space could be just as good a backdrop for fantasy as Tolkien-esque worlds of myth and legend. (Actually, I didn’t see Star Wars until 1978, but its bow-wave of publicity hit these shores the p

Perceval le Gallois

I don’t use a Windows computer, but if I did, I imagine that irritating anthropomorphic paper clip would be popping up about now to say, ‘It looks like you’re starting a lengthy occasional series of blog posts in which you try to watch every Arthurian film ever made.’ And I suppose I am, although I doubt I’ll actually be able to find all of them, and there’s no way I’m sitting through that Clive Owen one again.  It’s liable to take a while too, but here to be going on with is Episode 4, in which I take my very first look at what must be one of the most eccentric yet accurate versions of an Arthurian story ever committed to celluloid. The previous Arthurian movies I’ve written about ( Excalibur , Gawain and the Green Knight , and The Green Knight ) all share a similar aesthetic: filmed among the mountains, woods and waterfalls of Wales and Ireland, they draw much of their visual power from nature, landscape, and a certain wintry light reflecting from their heroes’ armour. Éric Rohmer