Skip to main content

Gwenevere in Chagford

Jonny Hibbs as Sir Ruan, testing out the Globe’s projection facilities…

…and waiting for the lights to go down.

Last Thursday our film Gwenevere had its first proper showing on the big screen, courtesy of the Chagford Film Festival. I wasn’t sure what it would look like or how it would go down, but all was well: Sarah Reeve’s photography looked gorgeous, and there were laughs and gasps in all the right places from a packed audience at the Globe Inn. 

Some of the packed audience - Maria Loftus, Stuart Pyle, and Sarah McIntyre

We weren’t able to reassemble the whole cast and crew, but about half the team were present. Here’s Alan Lee, Rosanna Lambert, Arran Hawkins, Laura Frances Martin, Sasha Innes, Sarah Reeve, me, Stuart Pyle, Tessa Arrowsmith-Brown, Sarah McIntyre, and Steve Arrowsmith-Brown.


Local hero Alan Lee got a definite murmur of approval for his brief cameo as a shepherd. And I was glad Elizabeth-Jane Baldry of the Chagford Filmmaking Group was able to come: she was very generous with her time when I asked for her advice at the beginning of our project, and it was she who put me in touch with Laura Frances Martin, our brilliant Gwenevere.


Many thanks to Graham and Mary at the Globe for hosting us, and to Frances Roper of Chagford Film Festival for making space for us in the programme and hosting a short Q&A afterwards. 

The evening also featured the very funny and poignant Irish short An Irish Goodbye (well worth seeing if you get a chance) and Alison and Thalia by University of Plymouth graduate Willow Whatley, which won the festival’s first Golden Globe for emerging talent- well deserved.

I think we made a good film! And now I know it works I’m looking forward to its next outing, at Torquay Museum on the afternoon of 4th November as part of the English Riviera Film Festival. If you’re n the South Devon area, I hope you can join us and experience Gwenevere for yourself!

Poster by Sarah McIntyre.                       






Comments

Popular posts from this blog

Thunder City

This September Scholastic will be publishing my new novel set in the world of Mortal Engines . Here’s the cover, created (like all the others in the series) by Ian McQue . The rule I set for myself when I was writing this one was that it shouldn’t feature any of the people or places from previous Mortal Engines books. So  Thunder Cit y takes place just over a century before the original book, when the town-eat-town world of Traction Cities is slightly less ruthless than it will become later, and none of the characters from the original quartet has even been born yet. (I suppose Mr Shrike must be bimbling about somewhere, but he’s still just yer basic implacable killing machine at this point so there’s not much point in paying him a visit). So hopefully this new take will be accessible to people who’ve never read Mortal Engines , and hopefully people who have read it will enjoy an adventure set in the same world. My pen and ink drawing of the Traction City of Thorbury,  after...

Lord of the Rings 7: Minas Tirith

'This is not a work which many adults will read through more than once,' claimed the historical novelist Alfred Duggan, reviewing The Lord of the Rings when it was published. But I've read it through LOADS of times and now I'm blogging my latest re-read, so what did he know? And so we come to Minas Tirith, Tower of Guard, citadel of Gondor, seven tiers of fancy white fortifications built against a buttress of Mount Mindolluin, with the Tower of Ecthelion rising a thousand feet above the plain. It seems to me the template on which a whole genre of knock-off fantasy cities has been based - I guess Robert E Howard and people wrote about such places before Tolkien, and perhaps there were cities of equal grandeur on Barsoom, but when concept art threads on Instagram throw up unlikely gold and marble castles built on mountaintops and over waterfalls they always look distinctly Minas Tirithy to me. I'm wondering now if London in Mortal Engines was subconsciously echoin...

Merlin (1998)

I remember Merlin being shown on TV as a two-part mini-series over a bank holiday weekend. The version I found on YouTube is a single three hour movie, but I think it might work better in two chunks, as originally broadcast. It still works pretty well, though. Director Steve Barron is completely infatuated with video editing tricks and slightly primitive CGI effects that I’m sure were state-of-the-art when it was made, but he uses them quite inventively, and there are some very enjoyable performances. Since First Knight was such a washout, I guess this is the definitive ‘90s Arthurian film. Like Excalibur , the definitive ‘80s Arthurian film, it tries to tell the entirety of the Arthur story, but since it’s main focus is Merlin it covers a lot more too, and Arthur himself ends up being a bit of a side-character, with the rise and fall of Camelot packed into the second half. At first glance, Merlin seems to be aligning itself with what I’m coming to think of as the Low Arthurian tradi...