Skip to main content

Gwenevere: Destination Bude

I’ve been at work on editing our Arthurian movie Gwenevere since the beginning of the year, and it’s very nearly finished now. The last thing we needed to get was some flashbacks to Gwenevere’s love affair with Lancelot, which will crop up as brief montages at a couple of points in the story. We didn’t have time to shoot these in our main blocks of filming back in the autumn, so it seemed to make sense to leave them till spring - they’re meant to be taking place in a different time to the rest of the film. 

We also needed a different setting - the film is about Gwenevere’s journey through the wilds, and it’s all shot on Dartmoor. So we thought a beach would make a nice change of scene, and since Laura Frances Martin, who plays Gwenevere, comes from north Cornwall we decided to find somewhere near her to film. That’s how we ended up in Bude, just down the coast from Tintagel. There are some lovely beaches there, and there’s also a handy castle called The Castle. It isn’t an actual castle, but an eccentric Nineteenth Century house, built in 1830 just behind Summerleaze beach by Sir Goldsworthy Gurney, the inventor of the steam carriage. It’s now a lovely museum and gallery, well worth a visit if you’re in the area. Needless to say, it’s completely the wrong period for our film, but we only needed some brief close-ups of Laura and Arran Hawkins, who plays Sir Lancelot. With some careful camera work from Sarah Reeve, the Castle’s crenellated walls provided the perfect backdrop. 




Historical enthusiasts may notice that Arran’s costume looks a bit sub-standard, but as with the castle, we were careful which bits we showed - he’s mostly seen in head-and-shoulders close-ups which are on screen for less that two seconds, so it made sense to economise. (Truly we have reached the last dying gasps of the budget.) Gwenevere’s outfit was excellent as always though, courtesy of Wardrobe Mistress Jaine Fenn (whose navy blue houppelande she’s wearing) and props maker Tom Jacobs who created her crown - modelled here by our ever-helpful assistant for the day, Sarah McIntyre. (Sarah took all the photos in this post, too. Except this one obvs.)

Luckily there was still just enough budget left to have lunch the Castle’s excellent café, where we watched the rushes while we waited for our toasties to arrive…

And it’s just a short drive from the Castle to Crooklets Beach, where I once sat with my notebook, some time between Covid lockdowns, jotting down notes for Utterly Dark and the Face of the Deep. It was nice to be back again, and the rocks, sands, and booming surf made it the perfect location for Gwen’n’Lance’s  romantic meandering. 




It was a lovely day, and we ended up with so much footage that it’s going to be hard to choose the ten or twelve brief shots we actually need in the film… But that will have to be done, because I need to get Gwenevere wrapped up and ready to screen. All that remains to do is cut these flashbacks in and tinker a bit with some of the sound levels. If all goes well there will be a couple of previews soon - more about those shortly. 

Meanwhile, huge thanks from all of us to Mark Kerridge, manager of the Castle, to all the Castle’s staff, and to Bude-Stratton Town Council for letting us goof around on their property. 

I’m going to back in Bude on the 19th -20th May for the Bude Literary Festival. I’ll be doing a schools event on Friday, and a public on on Saturday, focusing on the Utterly Dark books (but I’m always happy to talk about the others too).

The festival features lots of other authors, too - you can check out the programme here.

Twirling on the cliff tops to celebrate completion of photography…



Comments

Popular posts from this blog

Lord of the Rings 7: Minas Tirith

'This is not a work which many adults will read through more than once,' claimed the historical novelist Alfred Duggan, reviewing The Lord of the Rings when it was published. But I've read it through LOADS of times and now I'm blogging my latest re-read, so what did he know? And so we come to Minas Tirith, Tower of Guard, citadel of Gondor, seven tiers of fancy white fortifications built against a buttress of Mount Mindolluin, with the Tower of Ecthelion rising a thousand feet above the plain. It seems to me the template on which a whole genre of knock-off fantasy cities has been based - I guess Robert E Howard and people wrote about such places before Tolkien, and perhaps there were cities of equal grandeur on Barsoom, but when concept art threads on Instagram throw up unlikely gold and marble castles built on mountaintops and over waterfalls they always look distinctly Minas Tirithy to me. I'm wondering now if London in Mortal Engines was subconsciously echoin

Thunder City

This September Scholastic will be publishing my new novel set in the world of Mortal Engines . Here’s the cover, created (like all the others in the series) by Ian McQue . The rule I set for myself when I was writing this one was that it shouldn’t feature any of the people or places from previous Mortal Engines books. So  Thunder Cit y takes place just over a century before the original book, when the town-eat-town world of Traction Cities is slightly less ruthless than it will become later, and none of the characters from the original quartet has even been born yet. (I suppose Mr Shrike must be bimbling about somewhere, but he’s still just yer basic implacable killing machine at this point so there’s not much point in paying him a visit). So hopefully this new take will be accessible to people who’ve never read Mortal Engines , and hopefully people who have read it will enjoy an adventure set in the same world. My pen and ink drawing of the Traction City of Thorbury,  after a painti

Railhead A-Z

In order to save my website it became necessary to destroy it. Before I pulled the plug I rescued the longest post on my old blog. Here it is, like the lone survivor of a shipwreck: my A-Z guide to the ideas behind my novel Railhead. At the time it was written, Railhead had just been published. I'll be putting up some posts about the sequels, Black Light Express and Station Zero , in the coming days. Railhead cover art by Ian McQue A  is for Alternative Forms of Transport ‘What I need,’ I thought, when I’d been struggling on and off for a few years with my space epic (working title, ‘Space Epic’) ‘is an alternative to spaceships…’ I’ve always enjoyed space stories. I first started reading science fiction back in 1977, when the original Star Wars film made me realise that outer space could be just as good a backdrop for fantasy as Tolkien-esque worlds of myth and legend. (Actually, I didn’t see Star Wars until 1978, but its bow-wave of publicity hit these shores the p